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Atrocity and Early Modern Drama
Extreme violence scarred the early modern period. Contemporary commentators grappled to find language to categorise the massacres, genocides, assassinations, enslavements, sacks, …
Materializing the East in Early Modern English Drama
Despite the popularity of plays about the East, the representation of the East in early modern drama has been either overlooked, marginalized as footnotes or generalized into …
Coriolanus: A Critical Reader
Coriolanus is the last and most intriguing of Shakespeare's Roman tragedies. Critics, directors and actors have long been bewitched by this gripping character study of a warrior …
Interruptions in Early Modern English Drama
To interrupt, both on stage and off, is to wrest power. From the Ghost’s appearance in Hamlet to Celia’s frightful speech in Volpone, interruptions are an overlooked linguistic and …
Arden of Faversham: A Critical Reader
One of the earliest domestic tragedies, Arden of Faversham is a powerful Elizabethan drama based on the real-life murder of Thomas Arden. This Critical Reader presents the first …
Money and Magic in Early Modern Drama
Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs …